| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 27495 |
 |
A River landscape with ferries and other shipping,a church beyond |
mk56
oil on panel
Follower of jan josefsz.van Goyen
|
| 27491 |
 |
A river landscape with flgures unloading boats before a church |
mk56
oil on panel,the reverse marked with a panelmaker s stamp
|
| 27474 |
 |
A river landscape with parrots and other birds |
mk56
oil on canvas
Follower of jacob Bogdani
|
| 27416 |
 |
A Riverside village with travellers on a path near a dridge |
mk56
pair,both oil on panel
Circle of Isaac van Oosten
|
| 79885 |
 |
A Saint with a Book. |
15th century
Oil on panel
31 x 24.5 cm (12.2 x 9.6 in)
cjr |
| 43382 |
 |
A San Sebastian to it indigena |
mk171
First representacion of the martyrdom of Cuauhtemoc in Prescott |
| 67628 |
 |
A scene inspired by the Commedia Dell arte |
Description A scene inspired by the Commedia Dell'arte.jpg
English: A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm.
Date early XVIII century
|
| 74236 |
 |
A self-portrait of Nikola Obrazopisov, |
A self-portrait of Nikola Obrazopisov, oil painting, 59/64 cm
cjr |
| 27494 |
 |
a smalschip on choppy seas,other shipping beyond |
mk56
oil on panel
|
| 27492 |
 |
A southern landscape with drovers and their cattle resting before a set of ruins |
mk56
oil on canvas
Circle of Cornelis van Poelenburgh
|
| 73407 |
 |
A sporting dog lying down |
Oil on canvas
6,2 x 8,4 in
cjr |
| 74275 |
 |
A sporting dog lying down |
Oil on canvas
6,2 x 8,4 in
cjr |
| 79406 |
 |
A Spring Morning |
A Spring Morning, Lane Cove, New South Wale, painting, oil on canvas, 37 x 75 cm, by William Charles Piguenit |
| 27394 |
 |
A still life of peaches and plums in a glass bowl,grapes,a melon and a pomegranate |
mk56
oil on copper,circular
Bartolomeo Castelli,called Spadino the Younger
Active in Rome during the first half of the 18th Century
|
| 27400 |
 |
A Still life of various flowers in a sculpted urn,resting on a marble-topped table |
mk56
bears monogram lower right vr
oil on canvas
French School,ciral 1800
|
| 74947 |
 |
A still life with tulips, roses, a red turban cup lily, auricula, jasmin, an iris, carnations and other flowers in a vase, all in a stone niche. |
17th century
Oil on canvas
82,6 x 63,6 cm
cjr |
| 72659 |
 |
A street in Czech town Vysoke Myto with Smekals bakery |
A street in Czech town Vysoke Mýto with Smekals bakery (oil on carton)
cjr |
| 63768 |
 |
A Table Laden with Flowers and Fruit |
1600-10 Oil on canvas, 74 x 100 cm Wadsworth Atheneum, Hartford In a partially lit environment, a table is seen from slightly above. Placed on the table are two vases of flowers and a basket of fruit arranged in a triangle and surrounded by single pieces of fruit scattered at random. Two flies can be seen on the brightly lit wall at the upper left, and, in the foreground, some fruit and two bunches of grapes hang over the edge of the table creating a trompe-l'oeil effect. The painting aims for the same heightened sense of reality seen in Caravaggio's Boy with a Basket of Fruit. This Table (a more appropriate title than the conventional Still-life with Flowers and Fruit) shares a number of affinities with the depictions of tables laid for eating painted in Holland throughout the seventeenth century. It may be no coincidence that the first dated painting of this type from 1610 was the work of Floris van Dijck. In 1600-01 Van Dijck lived near the studio of Cavaliere d'Arpino, where pictures like the Hartford still-life were probably executed. It was Van Dijck who supplied the information about Cavaliere d'Arpino for Karel van Mander's biography. The Hartford Table has elicited attributions of enormous diversity. The names of Giovanni Battista Crescenzi, Caravaggio, Francesco Zucchi, Prospero Orsi and finally, for no very convincing reason, the Flemish painter Frans Snyders have all been suggested. Although the attribution to Caravaggio does not seem tenable, the Hartford Table is the work of a painter who, like Caravaggio, may have been active in the studio of Cavaliere d'Arpino. It is possible that the picture can be identified with an unattributed still-life listed in the 1607 inventory of Cavaliere d'Arpino's sequestered possessions. In the first decade of the seventeenth century, this anonymous painter was evidently completely familiar with the work of Caravaggio, but chose to present his own, different interpretation of it. It has also been suggested that this Italian artist, who was influenced by Caravaggism, also possessed some familiarity with the work of the first generation of Flemish still-life painters.Artist:MASTER of the Hartford Still-life Title: A Table Laden with Flowers and Fruit Painted in 1601-1650 , Italian - - painting : still-life |
| 49599 |
 |
A territories levnadsbana |
mk201
Jeans Baptist Bernadotte each fodd in an petty sydfransk stad,dar his father each |
| 35427 |
 |
A Tomb with Figures |
mk102
c.1782
Oil on canvas
59.3x71.2cm
|
| 48483 |
 |
A Treatise of Fruit-Trees |
mk190
1653
|
| 62505 |
 |
A Turk |
1820 Black chalk and watercolour, 301 x 226 mm Mus?e du Louvre, Paris The quiet and melancholy Mustapha was a shipwrecked Turkish sailor G?ricault had found in a Paris street and brought home as a model and companion. It is probably his features, dark eyes sad beneath his turban, that are depicted in several late studies of a Turk that strike the viewer as warmly individualized portraits. Author: G?RICAULT, Th?odore Title: A Turk (Mustapha) Form: graphics , 1801-1850 , French , other |
| 49758 |
 |
A utsokt malning of Holman dar husband able watch a penalty of Themsen,nara Blackwalldockorna,som each praglade of vivid active with 1800- digits sege |
mk203
Vessel as syns pa dabs bare still very double frame and bog,plan akter,som bring together aberration stamp whatever each ordinarily wonder foregaende sekler |
| 49667 |
 |
A valross had fangats pa packisen |
mk199
|
| 27486 |
 |
A Vanitas still life |
mk56
oil on original canvas,in a carved and gilt wood frame
|
| 70656 |
 |
A view from Tallinn to Lasnamae |
"A view from Tallinn to Lasnamäe". Oil on canvas. 67 x 97.2 cm
|
| 72646 |
 |
A view from Tallinn to Lasnamae |
"A view from Tallinn to Lasnamäe". Oil on canvas. 67 x 97.2 cm
cjr |
| 39481 |
 |
A View in rome.the colosseum |
mk149
1816
|
| 35404 |
 |
A View in the Island of New Caledonia in the South |
mk102
1777-8
Oil on canvas
138x19.3.5cm
|
| 35386 |
 |
A View in the Island of Otaheite |
mk102
1773
Pen and indian ink wash,tited with watercolour
36.2x54cm
|
| 35428 |
 |
A View of a Mosque at Mounheer Maner |
mk102
c.1781
Oil on canvas
104.1x127.6cm
|
| 35401 |
 |
A View of Cape Stephens in Cook-s Straits New Zealand With Waterspout |
mk102
1776
Oil on canvas
135.9x193.1cm
|
| 76457 |
 |
A View of Junks on the Pearl River, |
A View of Junks on the Pearl River, China, oil on canvas painting by Auguste Borget, 1845
cjr |
| 35403 |
 |
A View of Maitavie Bay,in the Island of Otaheite Tahiti |
mk102
1776
Oil on canvas
137.1x193cm
|
| 35419 |
 |
A View of Marmalong Bridge with a Sepoy and Natives in the Foreground |
mk102
c.1780-81
Oil on canvas
68.6x91.4cm
|
| 35407 |
 |
A View of Matavai Bay in th Island of Otaheite Tahiti |
mk102
1776
Oil on canvas
9.5x137.1cm
|
| 35389 |
 |
A View of Matavai Bay,Tahiti |
mk101
c.1773
Oil on canvas
483x60.1cm
|
| 27404 |
 |
A view of paestum,with grand tourists in the foreground |
mk56
oil on canvas
Circle of Antonio joli
|
| 35391 |
 |
A View of part of the Island of Ulietea Raiatea |
mk102
September 1773
|
| 35388 |
 |
A View of Point Venus and Matavai Bay,Looking east |
mk102
August 1773
Oil on canvas
34.3x51.4cm
|
| 71542 |
 |
A View of Roudnice with Mount rip |
Oil on canvas, fixed onto cardboard
23,5 x 32 cm
|
| 35381 |
 |
A View of the Cape of Good Hope,taken on the spot,from on board the Resolution,capt,coode,November 1772 |
mk102
Oil on canvas
96.5x125.7cm
|
| 35392 |
 |
A View of the Islands of Otaha Taaha and Bola Bola with Part of the Island of Ulietea Raiatea |
mk102
September 1773
Oil on canvas
33x48.9cm
|
| 35399 |
 |
A View of the Monumens of Easter Isaland Rapanui |
mk102
1775
Oil on panel
77.5x121.9cm
|
| 75740 |
 |
A view of the Staal Everspijp and the Grote Kerk in summer |
A view of the Staal Everspijp and the Grote Kerk in summer
Date 1866
cyf |
| 74288 |
 |
A view of the Staal Everspijp and the Grote Kerk in summer, Enkhuizen |
A view of the Staal Everspijp and the Grote Kerk in summer, Enkhuizen
1866(1866)
|
| 35430 |
 |
A View of the West Side of the Fortress of Chunargarh on the Ganges |
mk102
c.1785
Oil on canvas
121.9x160.7cm
|
| 35387 |
 |
A View of Vaitepeha Bay,Tahiti |
mk102
August 1773
Oil on canvas
35x51cm
|
| 35448 |
 |
A View of Worksop Manor in Nottinghamshire,the seat of his grace the Duke of Norfolk |
mk102
1777
Oil on canvas
85x134cm
|
| 27623 |
 |
a view overlooking a city,roman ruins and a cupola visible on the horizon |
mk56
oil on board
Theodore Camelle d Aligny
|
| 35408 |
 |
A View taken in the Bay of Otaheite Peha Vaitepiha |
mk102
1776
Oil on canvas
9.5x137.1cm
|
| 48573 |
 |
A Viewfrom the Temple of Diana |
mk190
1753
|
| 27518 |
 |
A vision of saint anthony of padua |
mk56
oil on canvas,arched top
Attributed to Giovanni Martinelli
|
| 27586 |
 |
A winter landscape with woodcutters and travellers |
mk56
oil on original canvas
Circle of Marco Ricci
|
| 27588 |
 |
A winter landscpae with travellers gathered aroubnd a fire in a grotto,overlooding a lake,a monastery beyond |
oil on canvas
Follower of Francesco Foschi
|
| 27569 |
 |
A Woman holding a mask |
mk56
oil on canvas
North Italian School,18th Century
|
| 27573 |
 |
A Woman standing before an entrance to a house |
mk56
oil on panel
Follower of Domenico Fetti
|
| 27424 |
 |
A wooded landscape with a beggar kneeling before a cardinal |
mk56
oil on copper
Circle of jasper van der Laanen
|
| 27422 |
 |
A wooded landscape with a boar hunt |
mk56
oil on canvas
Follower of jan Wildens
|
| 27420 |
 |
a wooded landscape with a hunting party at the edge of a lake,a castle beyond |
mk56
oil on panel
Follower of Martin Ryckaert
|
| 27626 |
 |
A Wooded landscape with an artist sketching at the base of a waterfall,anmals drinking in a pool nearby |
mk56
oil on canvas
Follower of jean-joseph-xavier Bidauld
|
| 27504 |
 |
A Wooded landscape with figures bathing and resting on the bank of a river |
mk56
oil on canvas
|
| 27621 |
 |
A wooded landscape with sirawberries spilling from an overturned basket |
mk56
oil on canvas
|
| 27423 |
 |
A wooded landscape with travellers and a horseman on a track |
mk56
oil on copper
Follower of jan Brueghel the Younger
|
| 27419 |
 |
a wooder landscape with saint |
mk56
oil on copper
Flemish School,17th Century
|
| 79886 |
 |
A Yard with Poultry. |
1660s
Oil on canvas
130 x 160 cm (51.2 x 63 in)
cjr |
| 27537 |
 |
A Young girl in a state of undress,wearing a burgundy mantle,and a gold chain and pendant |
mk56
oil on canvas
unframed
Follower of Cornelis Cornelisz.van Haarlem
|
| 27595 |
 |
A Young girl seated at a plano,holding a usic sckre |
mk56
oil on canvas,in a feigned oval
Attributed to Adolf Ulric Wertmuller
|
| 27554 |
 |
A Young herder with cattle and goats in a landscape |
mk56
oil on panel
Pieter van Bloemen,called Standard
|
| 29308 |
 |
A Young Man |
mk65
Oil on canvas
16x12"
|
| 27563 |
 |
A Young man tuning a lute |
mk56
oil on canvas
Follower of Pietro Paolini
|
| 30533 |
 |
A Young Prince on Horseback |
mk68
Manuscript Illustration
London,British Library
c.1600
Turkey
|
| 73036 |
 |
A young woman cleaning pans at a draped stone arch. |
A young woman cleaning pans at a draped stone arch.
cjr |
| 27617 |
 |
A Young woman with a palm reader |
mk56
oil on panel
Attributed to johann Conrad Seekatz
|
| 68983 |
 |
A.C.Maestro Penella |
Retrato del mesico Penella o/l. 99x68,5 cm. Museo de Bellas Artes (Valencia). Inv. Gral. 1117. Ingrese en el Museo en 1961 (es propiedad de la Academia de San Carlos) por donacien del yerno del retratado, D. Mello Kolle Huizinga |
| 68539 |
 |
A.Cortina Abigail |
Figura biblica (Abigail) o/l. 174,3x74,5 cm. Museo de Bellas Artes (Valencia). Inv. Gral. 2117 |
| 56766 |
 |
Abraham and three angels |
mk250 From Paris, in the year 1253-1270. Kraft paper, ink, gold leaf and color eggs. 12.7 x 8.9 cm. Paris, the National Library. |
| 39389 |
 |
Abraham in the fire |
mk148
out of that "golden Haggadah", a Jewish manuscript out of Spain around 1320. After this nichtkanonischen legend destroyed Abraham the idols of its father and was thrown rescued after that of king Nimrod (to the right) into the fire however of an angel |
| 78419 |
 |
Abschied |
1850
Oil on canvas
68 x 86,5 cm
cjr |
| 37818 |
 |
Abstract |
mk129
Oil on canvas
|
| 37847 |
 |
Abstract |
mk129
Oil on canvas
|
| 42534 |
 |
Achnaton colossal image from Karnak |
MK169
ca. 1375 v. Chr sand stone, Height 396cm
|
| 56768 |
 |
Acts of sitting |
mk250 Rome, Italy. Wei Lei Telasite St. Cecilia's Church, about 1291. Frescoes. |
| 56802 |
 |
Adam and Eve were driven out of Iraq |
mk250 Garden of Eden in Florence, Italy, Saint Maliyaka Ermi Bulangkaqi Chapel inside the church, about the year 1425, frescoes, 213.4 x 88.39 cm. |
| 39396 |
 |
Adam and Eve. |
mk148
out of the Moutier-Grandval Bible emerged around 840 n. chr. in tours illustration of Genesis 3.23 and 3,16.J??dische and Christian traditions regard the simple life of Adam and Eve as an example custody |
| 61112 |
 |
adam horn |
mk271 tuschlavering efter gravyr av perelle 1765 konstakademien |
| 49558 |
 |
Adams creation of Michelangelo |
mk201 .Guds finger ror wide Adam and he am becoming live. The am failing a detail un a depend takmalning in Sixtinska Chapel in Vatikanen |
| 68528 |
 |
adelaide |
1860
se |
| 49690 |
 |
Adelaide about 1860 |
mk199
Cities was grounding 1836 and stayed utgangspunkten ago absence expedition to the interior of Australia |
| 49596 |
 |
Admiral Nelson am failing England most depend sjohjalte. |
mk201
He triumph in battle wide Trafalgar but blew wrap dodligt Sarajevo wonder contention |
| 79078 |
 |
Adoration of Shepherds |
Adoration of Shepherds, oil on panel by Gregxrio Lopes, 1544, Museu de Évora, Portugal
cjr |
| 32199 |
 |
Adoration of the Magi |
1450-1500
Tempera on wood |
| 63982 |
 |
Adoration of the Magi |
1515 Oil on panel, 83 x 166 cm Rockox House, Antwerp In comparison with other artistic centres, Antwerp had relatively little tradition in art in the beginning of the 16th century: but it was fertile ground ready to receive the seeds of new ideas brought by the many artists who flocked to the town on the Scheldt from other towns in the Low Countries. This burgeoning artistic life yielded religious works based on iconographic and compositional formulae derived from foreign examples. Moreover, the Low Countries' own traditional church based art had reached a crisis, and signs could already be seen heralding the advent of a different type of painting all together, with the birth of the Italian Renaissance. The economic and social revolution which transformed the needs and demands of art lovers resulted in a much looser relationship between artist and patron. Artists no longer felt obliged to bow to specific requirements as to the form or content of the painting imposed by the patron or institution commissioning it. Instead, they began to feel that their responsibility was rather to satisfy the tenets of taste held by nameless international artistic circles in which they moved. Thus an art market was created. Artists began to specialise, made life easier for themselves by repeating certain motifs over and over again, and aimed to create a certain effect. The anonymous Adoration of the Magi is an admirable example of the most popular subject of these artists, who are known as the Antwerp Mannerists. Strutting vanity and late Gothic and Renaissance decorations are depicted in sharp contrast with quiet modesty. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious |
| 64036 |
 |
Adoration of the Magi |
. 1515 Polychromed wood, 73 x 64,5 x 21 cm Rockox House, Antwerp , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , sculpture , religious |
| 64062 |
 |
Adoration of the Magi |
1520 Panel, 29 x 22 cm (central), 29 x 8,5 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The charming little work by anonymous artist called the Master of the Antwerp Adoration is exuberant, lively and full of eccentric shapes and attitudes, while the newly acquired wealth of Antwerp is displayed in the abundance of luxurious, gothic reminiscences. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious |
| 64144 |
 |
Adoration of the Magi |
1500-10 Oil on oak panel, 151 x 115,5 cm Groeninge Museum, Bruges The altarpiece - shown in the original frame - probably hung in the Chapel of the Magi in the former Saint Donatian's Church in Bruges. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious |
| 72193 |
 |
Adoration of the Magi |
between 1740(1740) and 1760(1760)
Oil on canvas
81.8 X 43.2 cm (32.2 X 17.01 in)
|
| 64037 |
 |
Adoration of the Shepherds |
1608 Oil on canvas St.-Pauluskerk, Antwerp , Artist: RUBENS, Pieter Pauwel , Adoration of the Shepherds , 1601-1650 , Flemish , painting , religious |
| 71419 |
 |
Adoration of the Shepherds |
Date between 1580(1580) and 1590(1590)
Medium Oil on canvas
Dimensions 134 x 188 cm (52.76 x 74.02 in)
|
| 72170 |
 |
Adoration of the Shepherds |
between 1740(1740) and 1760(1760)
Oil on canvas
81.3 X 43.2 cm (32.01 X 17.01 in)
|
